8. It seems the inspiration for this movement is taken from Roman mythology, with the Roman God, Mercury wearing wings on his shoes so he can move around quickly and get messages to people in good time. The most widely-mentioned influence, hardly surprising from the very titles of the individual movements, is astrology. Indeed, Holst's working title for The Planets on its first publication (along with his name as "von Holst," soon to be changed in deference to anti-German sentiment) was Seven Pieces for Large Orchestra. That said, he and his orchestra produced quite a credible performance. Holst: Jupiter, The Bringer of Jollity (from 'The Planets') 22.00 - 28.00. If nobody likes your work, you have to go on just for the sake of the work. That is just about the finest imagery of Jupiter from the ground I have ever seen! These pieces were each a representation of how each planet's characteristics is depicted. But perhaps the most remarkable movement is Venus, in which Sargent adds another full minute to others' already sprawling pace to craft a feeling beyond mere wistful dreams to a lush romanticism that one would not have suspected to find within the composer's emotional arsenal. A6. As compiled by Greene, once the entire work was heard, many critics condemned reductions to mere excerpts and were generally ecstatic in praising the immediacy, eloquence, clarity of expression, originality and importance of the entire work (although he further attributes the devotion of English critics to a reflection of national pride, whereas others' views were more tempered, with some dwelling on its derivative nature and one dismissing it as "an anthology of musical platitudes. - Orrin Howard Jupiter, the Bringer of Jollity - Gustav Holst (Advanced Solo Piano rapzh.com 2017 - 2023. Jupiter, The Bringer Of Jollity In Roman mythology, Jupiter was the god of the sky and thunder. While Matthews claims that "in the process I came perhaps closer to Holst than I had expected," to me much of it sounds closer to Charles Ives. Throughout this whole movement, the music usually comes back to the first ostinato that was heard, this creates some stability. Stokowski shared the podium of the NBC Symphony for three seasons after Toscanini petulantly (if temporarily) resigned from "his" orchestra. "Jupiter" by Gustav Holst is a piece that was part of his collection western classical pieces called The Planets Op. This movement in general is quite unconventional, which has been said to represent the idea that Uranus as a planet moves on its own side axis, which in itself is different. Jupiter, in particular, careens amid super-charged tempos that the orchestra delivers with electrifying accuracy (but after all, it was used to Toscanini) and Uranus thrills as instruments jostle for attention. Imogen recalled: "He found it the most exhausting job he ever had to do, for the large orchestra was crowded into a comparatively small room, the string players were unable to draw their bows to the full length of a crescendo, and the superb horn player broke down 13 times at the beginning of Venus from the sheer discomfort of not having enough air to breathe." To contrast the previous, quite solemn feel to the movement, there is an outburst within the orchestra, which could mean a plethora of different things. Indeed, robbed of its usual quirky edge, his Mars is suffused with a world-weary air and casts a pall over the rest of the work that is never fully dispelled; its final chords seem weighed down with regret, aptly leading into a Venus that seems less an aura of peace than a futile plea. Imogen emphasized that "clarity was his watchword," that "he never could understand slovenly workmanship" and "though his music dwells in mystical regions yet it is never indefinite or shadowy." This makes the score interesting to read as some instruments will be scored in flats, others in sharps, and others with no key at all. In any event, benefiting from the greater range and flexibility of microphones, amplifiers and mixers, the electrical system soon rendered acoustic recordings obsolete. Boult had been a relative novice at conducting when he led the first private performance at the composer's request in 1918, but Holst clearly was pleased, later presenting Boult with the score inscribed: "This copy is the property of Adrian Boult who first caused the Planets to shine in public and thereby earned the gratitude of Gustav Holst." In short, this movement reveals Holst as the gutsy risk-taker that he was. Burnett James adds that while traditional astrology attempts to predict individual destiny from one's time and place of birth, Holst was more intrigued by the associative emotional connotations of each planet and in particular the psychological attributes that Leo ascribed to each planet (although Leo later would come to consider the sun to be dominant). Jupiter adds majesty, benevolence and triumphant zeal to the concoction, with its many themes adding a true sense of adventure. The movement paints a wonderful landscape of sound which, even with the lack of musical transitions, is still musically exciting. Saturn, the Bringer of Old Age 6. Of the various movements, "Mars" and "Jupiter" are the most frequently heard. Gustav Holst 'The Planets': A Series of Mood Pictures With these new lines of interest, Holst started to learn how each planet bears a different characteristic in terms of astrology, and what this means within the bigger picture. 4 in E minor Op. Greene suggests that Holst, born under the sign of Virgo, was ruled by Mercury, and indeed credits his curiosity and intellect to the mental attributes of that planet (even though his approach to composition was methodical rather than spontaneous). Billed annually at $39.99 View Official Scores licensed from This particular melody is quick, syncopated, and full of energy. They play a fifth interval, then drop a semitone, which is repeated throughout this section. 5. Sure enough, six years later The Tomita Planets (RCA LP) became a pop culture phenomenon, albeit a short-lived one, as Imogen Holst charged that it mutilated the copyrighted original and successfully sued to enjoin further sales. While professing fealty to Holst's intentions, Boult clearly felt free to pursue a different course. So what makes the twinkling sound within this movement? Gustav Holst - The Planets - Jupiter, the Bringer of Jollity - reddit The score is incredibly bare, which makes it sound like a piece of chamber music, which is significant as Holst would have had about 100 musicians to play with. Jupiter, the Bringer of Jollity (arr Fisher) - Wind Repertory Project THE RUST" for whose rendition of "Ievan Polka" is better, though A.A's is arranged for . The hymn theme (as it shall now be referred to as) is also the basis for the hymn tune I vow to thee my country. The end of the work comes to a much more delicate close, with the upper strings playing in stunningly high octaves. The idea of not using a stable ending to the end of a suite, or any orchestral piece, was a newer technique and was embraced by Twentieth-Century composers for years to come. It has outrun the dimensions of a suite, and become a cycle of tone poems." Yet his tempos are not rigid but imbued with subtle elasticity to gently underline transitions and mood shifts. Imogen recalled that the slow alternating dissonant chords (emulating the third of Schoenberg's Pieces) reflect Holst being enthralled by the solemn tolling before services at Durham Cathedral of bells rung by two very old men in black gowns, thus generating the association with old age. (in Bb) Hn. Jupiter, the Bringer of Jollity 5. Your Amazon Music account is currently associated with a different marketplace. Come to think of it, he might also find it a little embarrassing to be told that his suite is shy one planet, although had he kept up with astronomical findings he would have learned of the discovery of the planet Pluto in 1930. There are points where the time signature is less obvious and that is part of the whole excitement of the movement! The fourth movement of the suite has the title Jupiter, the Bringer of Jollity" and was written in 1914. Apparently it was successful, as they returned in August 1923 for Venus, Uranus and Mercury (plus the "Marching Song" from Holst's Songs Without Words as a backing for Mercury, which fit on a single side) and completed the cycle with Mars in October, Neptune in November and Saturn in February 1924. A stately, more serious processional theme then enters, its royal dignity fully intact, after which the vigorous melody returns. The Planets, Op. For instance, he uses 6/8 bouncing quavers in the winds, semiquavers (grouped in fours) in the strings and then crotchets within the ensemble which give a 3/4 feel. Jupiter--Bringer of Jollity: Full Orchestra Conductor Score & Parts: $73.00: View: Jupiter--Bringer of Jollity: Full Orchestra Conductor Score: $9.00: View: Jupiter (Bringer of Jollity): 2nd B-flat Trumpet PDF Download By Gustav Holst / arr. Gustav Holst - Jupiter, the Bringer of Jollity Lyrics - Genius As Foreman notes, the resulting torso left an impression of undue heaviness. The exuberance of this movement shows itself not only in its tempo and rhythm but also in the multiplicity of subjects. That said, all of Boult's Planets recordings are splendid except for the 1960 LP with the Vienna State Opera Orchestra which is crudely played with weak ensemble. The concept of the work is based not on the Roman deities that they may relate to, but the influence of the planets on the psyche, which consequently makes this work astrological, not astronomical (hence why Earth is not included). While taking full responsibility for the musical judgments, I've done no independent research and gratefully acknowledge the following sources for the facts and quotations in this article: Boult, Sir Adrian: notes to his New Philharmonia LP (Angel S 36420, 1967), Crankshaw, Geoffrey: notes to the Marriner/Concertgebouw LP (Philips 950042, 1978), Foreman, Lewis: notes to the Elder/Hall CD (Hyperion CDA 67270, 2001), Freed, Richard: notes to the Susskind/St. ABRSM Grade 8. The Planets, Op. Most tempos are inflated the unhurried Venus and Saturn are considerably slower while the fleet Mercury and Jupiter are faster. #8. The Planets - Jupite 3:52 . Jupiter, the Bringer of Jollity - Wind Repertory Project Holst's musico-spatial explorations may not be cosmic, but they are brilliant, dramatic, and picturesque enough to fit into almost anyone's concert hall horoscope. The ladies choir bring a human quality to the movement, again it seems Holst is trying to connect with us with the use of the human voice. Opening with a flute rendition of Holst's Jupiter, the Bringer of Jollity from The Planets, Cerberus's "IV.THE THUNDER" in both Japanese and English combines beautiful and emotional lyrics reflecting her love for Fenrir with an equally amazing orchestra. (True to form, Stokowski wrote a letter to the producer with detailed suggestions for improving a test pressing, including filtering out highs from "thin and metallic" trumpets and adding echo to Uranus as if it "came from a great cavern, extremely reverberant" so as to differentiate it from the rest, although neither effect is especially evident.) By Phil Plait. Jupiter, the Bringer of Jollity. Mars, the Bringer of War Holst wastes no time launching his Planets with startling gestures. The most unconventional part of this movement, however, is Holsts use of a female choir in the latter half of the movement. Jupiter, the Bringer of Jollity - Slate Magazine Holst bounces through keys creates a fresh and exciting sound, which contrasts again to the previous movement. Thus Holst's own recordings unquestionably provide the most authoritative document of how he intended The Planets to sound. Vernon Leidig 2nd B-flat Trumpet Part Grade: 3 Item: 00-PC-0000054_T2. Here, while Tomita's Venus and Mars and the end of his Neptune are fairly tasteful if gimmicky adaptations, much of the rest at best is barely inspired by Holst, smothered under a din of rocket blasts, air-to-ground chatter, densely-packed crescendos and the like musical mainly in the broad Cagian sense of expanding our traditional notions to include noise and natural sound. While Tomita's structure seems mostly random and the nexus between the original and his contributions is often obscure, he does produce an impressive amount and array of fresh sound, and his abundant technical facility, sense of rhythm, feeling for spatial display and overall flair for invention are fully apparent. Disposition: Though we hear the first two bars as a two-octave, upward run, it's actually Holst introducing each transposition separately. Jupiter - The Bringer of Jollity is introduced by a genial syncopated dance, appropriately so since a happy and festive mood is maintained throughout this movement. His Mars careens among even greater extremes, from 7:17 (1945) to 6:41 (1954) to 8:02 (1978). Jupiter, The Bringer of Jollity by David Soczewka "We Will Rock You" by Queen is the epiphany of motivational team music. Add to Collection Add to Wantlist. Lee admits some logic to certain selections, analogizing the progression of Mars, Venus, Mercury and Jupiter to a conventional four-movement symphony. This creates a percussive sound, which is very exciting and keeps with the theme of this movement representing war. Flaws aside, Holst is an enormously persuasive advocate for his Planets and either set affords the incomparable thrill of eavesdropping on a composer supplementing the cold written score to infuse his creation with the essence of his personal creative spirit. The shortest movement at nearly four minutes, about half the length of the others, and with the fastest tempo (vivace), it flits between distant keys (B-flat and E) and duple and triple meters as its motif (barely a theme Foreman calls it "a fragment from some half-remembered folk tune") careens among various instruments in delightfully transparent scoring. The Planets, Op. 32 | work by Holst | Britannica Imogen reports that Holst hated incomplete performances (even though at first he had led several himself) and the result here gives a rather warped impression of Holst's concept; moreover, if the Coates set is played in the prescribed order, it closes with the end of Uranus that functions to set the mood for the true conclusion of Neptune and sounds tentative in isolation (although since the movements were on separate records their order could be rearranged, perhaps to end with the triumphant finale of Jupiter.). Imogen called the tempos "a revelation" and gave as an example that although Venus is marked adagio, Holst's recordings suggest more of an andante (that is, only moderately slow). Three months earlier Edwin Evans had expanded on this outlook in a Musical Times article, presumably with the composer's authority: "The generally accepted astrological associations of the various planets are a sufficient clue in themselves to the imagination. Any meaningful consideration of Planets recordings begins here. The Planets - Wikipedia Others, though, question the semblance of The Planets to prior tone poems, as they note that it is far longer than such typical single-movement works or even Debussy's La Mer or Nocturnes (Matthews), nor a collection of short pieces (like Mussorgsky's Pictures at an Exhibition or Elgar's Enigma Variations) (Matthews), and a far less literal depiction than the tone poems of Strauss or Delius (Lee). Holst | Jupiter, the Bringer of Jollity (The Planets) | Wind quintet The Planets Op.32 : IV Jupiter, the Bringer of Jollity [I Vow to Thee, My Country] . The Planets. Holst first recorded The Planets with the London Symphony in the acoustic process, in which sound was gathered in a horn directly coupled to the cutting stylus. The Planets - Jupiter, the Bringer of Jollity By: Gustav Holst. 32. The Sciences Jupiter, the Bringer of Jollity Bad Astronomy By Phil Plait Dec 24, 2010 10:00 AM Newsletter Sign up for our email newsletter for the latest science news The line between amateur and professional astronomer has always been thin. B Theme. Saturn, the Bringer of Old Age The optimism of Jupiter meets its opposite extreme in this terrifying depiction of the inevitability of life receding. The lolloping tune is quite robust and all of these compositional processes play a part in creating this scherzo-like movement. Start the wiki Featured On Jupiter, the Bringer of Jollity evokes characters as well as jokes and fun-loving games. Although it has since become a clich to depict outer space, Holst's inspired final touch is two wordless female choruses, each divided in thirds. Perhaps as a tentative test of its market appeal, Jupiter was cut on September 15, 1922 but not issued (as a two-sided 78) until March 1923. "And then," he concluded, "recently the character of each planet suggested lots to me.". Jupiter the Bringer of Jollity Tab by Gustav Holst | Songsterr Tabs "Jupiter" from The Planets by Gustav Holst by John Kronlokken - Prezi (When he became interested in Hindu literature through translations, he proceeded to learn the original Sanskrit and wrote several Hindu-inspired works including two operas, Sita and Savitri.) Depending upon one's vantage, Karajan's objective precision either lets the music speak for itself with intrinsic integrity or heartlessly drains it of human communication. This tri-tonal invocation is incredibly calm and it emphasises the oscillating wind and harp chords, which run throughout most of the piece. That's why I worried at Sanskrit." Reviews. Gustav Mahler Symphony No.2: Movement III, Gustav Mahler Symphony No.2: Movement II, Gustav Mahler: Symphony No.2 Genesis & Movement I, Ralph Vaughan Williams English Folk Song Suite: Memorable Melodies, Alexander von Zemlinksy Symphony No. Holst writes this movement in 5/4 time, which gives the feeling of uncomfortable movement at times. All Rights Reserved. Gustav Holst - Jupiter the Bringer of Jollity Tab. Jupiter, the Bringer of Jollity As the round-faced cheery uncle of all the planets, and king of the gods, Jupiter is impressive and majestic. And since the British composer was distressed at the immediate success of the seven-movement work when it was introduced in 1919 - he never considered it one of his best efforts - its rebirth could only cause him further chagrin. Jupiter, the Bringer of Jollity. Jupiter - The Bringer of Jollity is introduced by a genial syncopated dance, appropriately so since a happy and festive mood is maintained throughout this movement. But he didn't seem fazed she also reported that he said: "It's a great thing to be a failure. The fidelity (possibly goosed in digital transfers) is markedly improved over the predecessors', displays a greater realm of textures, especially in the delicate instrumental interplay of Venus, and allows finer appreciation of the magnitude of Holst's flair for colorful orchestration. Sell a . The last melodic cell is built up throughout different instruments (its repeated 12 times to be precise!) Jupiter is named after the Roman king of the gods. Description: PDF Download Download: Price : Jupiter--Bringer of Jollity: Full Orchestra Conductor Score & Parts: Jupiter Bringer Of Jollity : A Celebration Of The Birth Of Christ Coruscating textures disgorge luxuriant themes of cholesterol-packed bonhomie. Egdon Heath Op.47 : I Adagio - Poco Allegro - Andante maestoso.
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